Natasa Paulberg is a composer, performer and conductor based in Dublin and Los Angeles and was winner of the Contemporary Music Centre’s 2012 Ad Astra Composition Competition, and received the 2013 Fulbright scholarship for composition, where she attended UCLA’s Film Scoring Program in Los Angeles.
Natasa has worked on Los Angeles projects with composers Garry Schyman (The Bureau: XCOM Declassified, Bioshock Infinite) and Christopher Young (Gods Behaving Badly, A Madea Christmas) and with orchestrator Peter Bateman. She has also written music for concert commissions with performances at The National Concert Hall, Samuel Beckett Theater, and Smock Alley Theatre. Her piece A Star was included on UCD Choral Scholars Perpetual Twilight CD (2019).
Her works have been performed by Los Angeles studio musicians and at many exhibitions and festivals worldwide including the York New Music Festival (UK), New Music Dublin Festival (IRL) and in Washington DC as part of the Capital Irish Film Festival. Natasa also has an interest in promoting film and game music and conducted and arranged the Pixels (2014) audiovisual concert with Téada Orchestra, which presented game music from Bioshock, Final Fantasy and Journey. She also curated and arranged the Minimal Film (2016) film music concert, which showcased minimalist inspired film scores from Philip Glass (The Hours) and Michael Nyman (The Piano), as well as premiered the Butterfly film suite, composed by Natasa for the documentary Butterfly (2014), which reflects her own neoclassical, postminimalist compositional style.
Natasa is represented by Defiant Talent Management and Oticons Agency.
Natasa has worked on Los Angeles projects with composers Garry Schyman (The Bureau: XCOM Declassified, Bioshock Infinite) and Christopher Young (Gods Behaving Badly, A Madea Christmas) and with orchestrator Peter Bateman. She has also written music for concert commissions with performances at The National Concert Hall, Samuel Beckett Theater, and Smock Alley Theatre. Her piece A Star was included on UCD Choral Scholars Perpetual Twilight CD (2019).
Her works have been performed by Los Angeles studio musicians and at many exhibitions and festivals worldwide including the York New Music Festival (UK), New Music Dublin Festival (IRL) and in Washington DC as part of the Capital Irish Film Festival. Natasa also has an interest in promoting film and game music and conducted and arranged the Pixels (2014) audiovisual concert with Téada Orchestra, which presented game music from Bioshock, Final Fantasy and Journey. She also curated and arranged the Minimal Film (2016) film music concert, which showcased minimalist inspired film scores from Philip Glass (The Hours) and Michael Nyman (The Piano), as well as premiered the Butterfly film suite, composed by Natasa for the documentary Butterfly (2014), which reflects her own neoclassical, postminimalist compositional style.
Natasa is represented by Defiant Talent Management and Oticons Agency.
|
|
|
|
|